Northern Roots - Accounts
Northern Roots - Accounts
Registered number |
Charity Registration number |
1088823 |
Northern Roots | |
Report and accounts | |
Contents | |
Page | |
Company information | 1 |
Directors' report | 2 - 6 |
Independent examiner's report on the accounts | 7 |
Profit and loss account | 8 |
Balance sheet | 9 |
Notes to the accounts | 10 |
Company Information |
Directors |
K Dubois |
N Johnson (resigned 26 March 2023) |
B Mamuini |
L Naruse |
R Reza (resigned 26 March 2023) |
Secretary |
Accountants |
Bell Anderson Limited |
Lindum |
264-266 Durham Road |
Gateshead |
Tyne and Wear |
NE8 4JR |
Registered office |
Office 44 |
63 High Bridge |
Newcastle upon Tyne |
Tyne and Wear |
NE1 6BX |
Registered number |
Charity registration number |
1088823 |
Registered number: | |||||||
Trustees' Report | |||||||
The Trustees present their report and accounts for the year ended |
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The accounts have been prepared in accordance with the accounting policies set out in note 1 to the accounts and comply with the governing document, the Companies Act 2006 and follow the Charities SORP (FRS 102) . Structure, governance and management The Charity is a company limited by guarantee. The company was established under the Memorandum of Association which established the objects and power of the charitable company and is governed under the Articles of Association. In the event of the company being wound up members are required to contribute an amount not exceeding £1. The Trustees have assessed the major risks to which the Charity is exposed, and are satisfied that systems are in place to mitigate exposure to the major risks. |
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Objectives and activities | |||||||
Trustees | |||||||
The following persons served as Trustees during the year: | |||||||
K Dubois | |||||||
N Johnson (resigned 26 March 2023) | |||||||
B Mamuini | |||||||
L Naruse | |||||||
R Reza (resigned 26 March 2023) | |||||||
Achievements and performance | |||||||
The Covid 19 Pandemic has continued to cause issues with in person concerts, audience numbers and the ability to promote artists from outside of the UK, especially those travelling from the USA. Northern Roots has continued to lead a focused fundraising campaign to support our outreach and development work with Artists from the Global Majority in the North East. We have maintained a consistent Jumpin’ Hot Club (JHC) programme with a minimised risk through stripped back programming, working closely with venues and artists, and a focused marketing campaign. Over the past year we have continued to support Kema Kay and Kay Greyson to work extensively with young people across the North East. Over the past year Northern Roots has continued to focus our work – maximising on the impact of our outreach work and maintaining a high quality JHC programme. We are still feeling the effects of Covid on our audiences, and changes in international travel, Covid and Brexit have affected the touring of US and European acts. Youth Music continued to support work with Kema Kay and Kay Greyson, working with communities of young people from the Global Majority based in the West End of Newcastle – which has meant the organisation has been able to support 30 young people. The feedback from participants has been very positive, and the impact of the work has been shown in showcase concerts which continue to grow in popularity. We have continued a very productive partnership with Tyne and Wear Community Foundation, who have continued to be supportive of our work and enabled us to extend the outreach we have done – with the core group of young artists, as well as extending into working with schools and young people outside of our core group. We have continued to provide mentoring to artists throughout this time – supporting members of Voices of Virtue, Radikal Queen, Vitamin Noir, Kema Kay and Kay Greyson – supporting with fundraising, mentoring, platforming and business development. We have supported Vitamin Noir in the development of a stand alone show ‘Brotherhood’ which focuses on the joy of friendship and the challenges of being Black in Britain – the show delivered a 3-week run at Alphabetti Theatre to sell out audiences. |
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In addition, we held showcase performances in May, July, and December – highlighting some of the best diverse talent on offer in the North East. December’s event was part of a project delivered in partnership with Tour de Moon and included an online event hosted by Sister Shack called Being Me in the Music Industry – what it means to be a woman or non-binary person in the music industry. We managed to deliver a small-scale Country Cantina event in Easington during the summer of 2022 – a little larger than the 2021 festival but still conservative in numbers. This was a success and ensured we maintained a strong connection with our loyal audiences, we were able to give work to UK based acts and technicians, and ensure we had a presence in local media etc. As well as continue the long running partnership with the owners of The Barn at Easington. October 2022 saw us deliver an ambition programme at Newcastle Cathedral – showcasing diverse North East talent, alongside Soweto Gospel Choir. The performance ‘Songs of Freedom’ was a nod to Martin Luther King Jnr’s visit to the North East, with Paulette Randall MBE (2012 Olympic Opening Ceremony Director) pulling the creative vision together, and artists Kema Kay and Kay Greyson, Vitamin Noir, Patrick Ziza’s Dandyism, Voices of Virtue Gospel Choir, Sisi, Maxine, Neeko, Milan and Moniker and Tia Leoni performing and Luke Wilson holding the piece together with an amazing version of Martin Luther King. Audiences were very special, and the audience feedback was unprecedented. JHC Programming Thankfully things opened up from late March /April onwards for us after lockdown and all that entailed with artists like Sam Outlaw, Jim White and Laura Veirs revisiting our shores. However it was a slow process for some old regulars, returning to live music shows wasn’t their immediate concern. Also, some oversea artists were still rather reluctant to travel over here. Providentially we established a different audience for our new venue – The Globe – and a rather younger audience for Cluny2. Gosforth Civic Theatre had established a different audience itself, so all was rather positive. |
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We went over to Austin Texas for SXSW with tickets purchased from before the pandemic and secured a couple of esteemed artists for our autumn programme - vintage retro soul /funk man, Ural Thomas and The Pain and a young Dallas country singer called Joshua Ray Walker. In September, at Gosforth Civic Theatre, we learned that the Queen had died, however Ural Thomas and his band’s sold-out show went ahead. In June, after securing a pre lockdown booking, we had a long-awaited appearance of West Virginia country/jazz artist Sierra Ferrell which was a major scoop for us and in July, we had the return of our summer Country Cantina Festival at The Barn in Easington, albeit with a limited-capacity that sold-out. In November we held a full exhibition of framed photos from the past 15 -20 years by our in- house photographers Juan Fitzgerald and Charles Holley and also video footage from Kev Daley’s local TV shows in Gosforth Civic Theatre as part of our 37th Anniversary schedule. We also held seven showcase events in our regular Newcastle/Gateshead venues pitching established American artists with our local up and coming talent. Nick Shoulder /Grave dancer in Cluny2, Big Red /Sam Lewis also Cluny2. Riley Downing/Gem Andrews, Jeffrey Foucault /Dietrich Strause and Errol Linton Band /King Bees duo in Gosforth Civic Theatre. Kevin Galloway/Ben Singh in The Globe and finally Mary Gauthier /Jaimee Harris in Gateshead’s Little Theatre. January 23, we featured overseas artists that were also appearing at Celtic Connections in Glasgow, Fern Maddie, Sarah Jane Scouten, Early James, Emily Scott Robinson, Alisa Amador, Violet Bell. In March 23, American artists Mike and The Moonpies, JP Harris/John R Miller and Rachel Baiman who were all originally booked almost four years previously, finally made it over here finishing off our yearly programme. In comparison to many North East Venues and Promoters, we have responded well. With many reporting only a 40% return of pre-covid audiences, whereas we are on around 80% of pre covid audiences. Though still challenging, it is a good indication of the loyalty and trust of our audience. |
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Partnerships | |||||||
We have continued to build partnerships across the programme – with venues, organisations and funders. We have worked closely with Community Foundation, Youth Music and several other funders to develop and deliver programmes to benefit artists from the Global Majority. We have also worked with venues such as Hoochie Coochie, The Globe, Gosforth Civic Theatre and The Little Theatre in Gateshead. |
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Funding | |||||||
Financial review | |||||||
It is the charities policy that unrestricted funds which have not been designated for a specific use should be maintained at the level equivalent to between three months expenditure. Due to the changes in funding sources and the timing of receipts it has not always been possible to adhere to this policy whilst pursuing the charities aims and objectives. Part of the focus of the last years fundraising and financial planning has been to secure funds to run longer and more sustained programmes – which includes funding to build up a reserves amount amounting to 3 months of core expenditure. We have continued to review core costs and have continued to work from home as an organisation. We have ensured we have reviewed core spending outside of salaries and continue to seek core funding and unrestricted income from across the programme. Our fundraising review has included a focus on core funding and business development support – enabling us to develop a more sustainable business model going forward. |
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Small company provisions | |||||||
This report was approved by the board on |
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R Perdik | K Dougherty | ||||||
Chairman | Secretary | ||||||
Northern Roots | ||||
Independent examiner's report on the accounts | ||||
Report to the trustees, directors & members of Northern Roots on accounts for the year ended 31 March 2020 Set out on pages 1 to 9 of the financial statements. Charity no.: 1088823 Company no.: 03539586 |
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Responsibilities and basis of report | ||||
I report to the charity trustees on my examination of the accounts of the Company for the year ended 31/03/2022. As the charity’s trustees of the Company (who are also the directors of the company for the purposes of company law), you are responsible for the preparation of the accounts in accordance with the requirements of the Companies Act 2006 (“the 2006 Act”). Having satisfied myself that the accounts of the Company are not required to be audited for this year under Part 16 of the 2006 Act and are eligible for independent examination, I report in respect of my examination of your charity’s accounts as carried out under section 145 of the Charities Act 2011 (“the 2011 Act”). In carrying out my examination, I have followed the Directions given by the Charity Commission (under section 145(5)(b) of the 2011 Act. | ||||
Independent examiner's statement | ||||
I have completed my examination. I confirm that no material matters have come to my attention which gives me cause to believe that: • accounting records were not kept in accordance with section 386 of the Companies Act 2006; or • the accounts do not accord with such records; or • the accounts do not comply with relevant accounting requirements under section 396 of the Companies Act 2006 other than any requirement that the accounts give a ‘true and fair’ view which is not a matter considered as part of an independent examination; or •the accounts have not been prepared in accordance with the Charities SORP (FRS102). I have no concerns and have come across no other matters in connection with the examination to which attention should be drawn in this report in order to enable a proper understanding of the accounts to be reached. |
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Bell Anderson Limited | ||||
Chartered Accountants | ||||
Lindum | ||||
264-266 Durham Road | ||||
Gateshead | ||||
Tyne and Wear | ||||
NE8 4JR | ||||
15 December 2023 | ||||
Statement of Financial Activities | |||||||||||
for the year ended |
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Notes | Unrestricted | Restricted | |||||||||
funds | funds | 2023 | 2022 | ||||||||
£ | £ | £ | £ | ||||||||
Income from | |||||||||||
Donations and legacies | 3 | 307 | - | ||||||||
Charitable activities | 4 | 13,825 | 79,313 | 93,138 | 207,423 | ||||||
Other trading activities | 5 | 60,140 | 60,140 | 13,875 | |||||||
Other operating income | - | - | 6,464 | ||||||||
74,272 | 79,313 | 153,585 | 227,762 | ||||||||
Expenditure on | |||||||||||
Raising funds | 6 | 20,610 | |||||||||
Charitable activities | 7 | 58,442 | 121,408 | 179,850 | 107,486 | ||||||
Total Expenditure | 79,052 | 121,408 | 200,460 | 160,810 | |||||||
Net (expenditure)/income before transfers | (4,780) | (42,095) | ( |
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Net (Expenditure)/income for the year/Net movement in funds | (4,780) | (42,095) | ( |
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Fund balances at 31 March 2022 | 8,395 | 105,606 | |||||||||
Fund balances at 31 March 2023 | 3,615 | 63,511 | |||||||||
Registered number: | |||||||
Balance Sheet | |||||||
as at |
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Notes | 2023 | 2022 | |||||
£ | £ | ||||||
Fixed assets | |||||||
Tangible assets | 8 | ||||||
Current assets | |||||||
Debtors | 9 | ||||||
Cash at bank and in hand | |||||||
Creditors: amounts falling due within one year | 10 | ( |
( |
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Net current assets | |||||||
Net assets | |||||||
Funds | |||||||
Restricted funds | 63,511 | 105,606 | |||||
Unrestricted funds | |||||||
Total funds | |||||||
R Perdik | |||||||
Chair | |||||||
Approved by the board on |
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Notes to the Accounts | ||||||||
for the year ended |
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1 | Accounting policies | |||||||
Basis of preparation | ||||||||
Turnover | ||||||||
Tangible fixed assets | ||||||||
Fixtures, fittings, tools and equipment | 20% reducing balance | |||||||
Debtors | ||||||||
Creditors | ||||||||
Provisions | ||||||||
Pensions | ||||||||
2 | Employees | 2023 | 2022 | |||||
Number | Number | |||||||
Average number of persons employed by the company | ||||||||
Employment Costs | 2023 | 2022 | ||||||
£ | £ | |||||||
Wages and salaries | 48,235 | 44,861 | ||||||
3 | Donations and legacies | 2023 | 2022 | |||||
£ | £ | |||||||
Donations & gifts | 307 | - | ||||||
307 | - | |||||||
All donations for 2023 are unrestricted | ||||||||
4 | Charitable activites | 2023 | 2022 | |||||
£ | £ | |||||||
Restricted Funds | ||||||||
Community Foundation | 47,000 | 14,200 | ||||||
Gateshead project | - | 10,959 | ||||||
US Embassy | - | 2,274 | ||||||
National Foundation Youth Music | 19,750 | 50,600 | ||||||
Arts Council | - | 26,315 | ||||||
Virgin | - | 24,300 | ||||||
VoV Schools Project | - | 15,000 | ||||||
Sadler Wells | 2,563 | 8,188 | ||||||
Allen Lane | - | 7,500 | ||||||
Mentoring | - | 5,000 | ||||||
Tour de Moon | 10,000 | - | ||||||
79,313 | 164,336 | |||||||
2023 | 2022 | |||||||
£ | £ | |||||||
Unrestricted Funds | ||||||||
Unrestricted income - Merchandising etc | 50 | 399 | ||||||
Unrestricted Arts Council Grant | 11,278 | 42,688 | ||||||
Unrestrited charitable activity - MLK | 2,497 | - | ||||||
13,825 | 43,087 | |||||||
5 | Other trading activities | 2023 | 2022 | |||||
£ | £ | |||||||
Sponsorship - MLK | 30,000 | - | ||||||
Ticket sales | 30,140 | 13,875 | ||||||
60,140 | 13,875 | |||||||
6 | Raising funds | 2023 | 2022 | |||||
£ | £ | |||||||
Bank charges | 272 | 81 | ||||||
Accountancy fees | 3,600 | 3,716 | ||||||
Adverts | 213 | 3,613 | ||||||
Artists | - | 12,463 | ||||||
Consultancy - Fundraising | - | 1,814 | ||||||
Core Costs reallocation | (33,500) | (24,139) | ||||||
Depreciation | 378 | 166 | ||||||
Entertaining | - | 372 | ||||||
Insurance | 136 | 131 | ||||||
Other legal and professional | 13 | 13 | ||||||
Printing, postage and stationery | 6 | 78 | ||||||
Rent | 500 | 2,194 | ||||||
repairs | - | 250 | ||||||
Sound engineering | - | 3,685 | ||||||
Subscriptions | 288 | 438 | ||||||
Sundries - Fundraising | - | 431 | ||||||
Sundries | 4 | 91 | ||||||
Software and IT | 465 | 547 | ||||||
Travel and accommodation | - | 1,328 | ||||||
Venue hire | - | 1,191 | ||||||
Wages | 48,235 | 44,861 | ||||||
20,610 | 53,324 | |||||||
7 | Charitable activities | |||||||
2023 | 2022 | |||||||
£ | £ | |||||||
Unrestricted activities | ||||||||
Mentoring costs | 180 | 7,466 | ||||||
Artists, Support fees & Riders - JHC | 10,156 | - | ||||||
Artists, Support fees & Riders - MLK | 7,178 | - | ||||||
Advertising - JHC | 1,994 | - | ||||||
Advertising - MLK | 2,175 | - | ||||||
Equipment hire - MLK | 17,160 | - | ||||||
Travel and subsistence - JHC | 2,094 | - | ||||||
Travel and subsistence - MLK | 5,312 | - | ||||||
Venue Hire - JHC | 1,824 | - | ||||||
Venue hire - MLK | 6,746 | - | ||||||
Video & Sound Engineering - JHC | 1,610 | - | ||||||
Video & Sound Engineering - MLK | 560 | - | ||||||
Entertaining - MLK | 400 | - | ||||||
Sundry - JHC | 965 | - | ||||||
Sundry -MLK | 88 | - | ||||||
58,442 | 7,466 | |||||||
2023 | 2022 | |||||||
£ | £ | |||||||
Restricted activities | ||||||||
Mentoring Costs - Community | 42,000 | - | ||||||
Mentoring Costs - Tour de Moon | 1,250 | - | ||||||
Mentoring Costs - Youth Music | 32,631 | 20,195 | ||||||
Mentoring Costs- Gateshead Project | - | 8,640 | ||||||
Mentoring Costs- Arts Council | - | 6,555 | ||||||
Mentoring Costs- Sadlers Wells | - | 3,470 | ||||||
Artists,Support fees & Riders - Tour de Moon | 5,865 | - | ||||||
Artists,Support fees & Riders - Youth Music | 4,243 | 6,115 | ||||||
Artists,Support fees & Riders - Arts Council | - | 7,138 | ||||||
Artists,Support fees & Riders - Sadlers Wells | - | 3,230 | ||||||
Artists,Support fees & Riders - US Embassy | - | 1,800 | ||||||
Advertising - Youth Music | 501 | 1,050 | ||||||
Venue Hire - Youth Music | 230 | 607 | ||||||
Venue Hire - Arts Council | - | 107 | ||||||
Venue Hire - Sadlers Wells | - | 400 | ||||||
Video & Sound Engineering - Youth Music | 528 | 2,184 | ||||||
Video & Sound Engineering - Tour de Moon | 500 | - | ||||||
Video & Sound Engineering - Arts Council | - | 2,492 | ||||||
Video & Sound Engineering - US Embassy | - | 200 | ||||||
Core Costs - Youth Music | 33,500 | 10,120 | ||||||
Core Costs - Community Foundation | - | 6,200 | ||||||
Core Costs - Gateshead Project | - | 2,319 | ||||||
Core Costs - Schools Project | - | 3,000 | ||||||
Core Costs - Allen Lane | - | 1,500 | ||||||
Core Costs - Mentoring | - | 1,000 | ||||||
Sundry - Tour de Moon | 30 | - | ||||||
Sundry - Youth Music | 30 | 200 | ||||||
Sundry - Community Foundation | - | 185 | ||||||
Licences - Youth Music | 100 | - | ||||||
Travel - Youth Music | - | 304 | ||||||
Travel - Sadlers Wells | - | 480 | ||||||
Stationery - Youth Music | - | 16 | ||||||
Consultancy - Arts Council | - | 1,596 | ||||||
Advertising - Arts Council | - | 2,865 | ||||||
Advertising - US Embassy | - | 675 | ||||||
Accountancy - Arts Council | - | 1,084 | ||||||
Rent - Arts Council | - | 806 | ||||||
Wages and Salaries - Arts Council | - | 3,394 | ||||||
Bank Charges - Arts Council | - | 3 | ||||||
Insurance - Arts Council | - | 90 | ||||||
121,408 | 100,020 | |||||||
8 | Tangible fixed assets | |||||||
Fixtures and fittings | ||||||||
£ | ||||||||
Cost | ||||||||
At 1 April 2022 | ||||||||
Additions | ||||||||
At 31 March 2023 | ||||||||
Depreciation | ||||||||
At 1 April 2022 | ||||||||
Charge for the year | ||||||||
At 31 March 2023 | ||||||||
Net book value | ||||||||
At 31 March 2023 | ||||||||
At 31 March 2022 | ||||||||
9 | Debtors | 2023 | 2022 | |||||
£ | £ | |||||||
Trade debtors | ||||||||
10 | Creditors: amounts falling due within one year | 2023 | 2022 | |||||
£ | £ | |||||||
Trade creditors | - | |||||||
Taxation and social security costs | ||||||||
Other creditors | ||||||||
11 | Restricted funds | Balance at | Incoming | Resources | Balance | |||
1 April 2022 | Resources | Expended | 31 March 2023 | |||||
£ | ||||||||
Community Foundation | 44,443 | 47,000 | 42,000 | 49,443 | ||||
Tour de Moon | 10,000 | 7,645 | 2,355 | |||||
Sadlers Wells | 608 | 2,563 | - | 3,171 | ||||
National Foundation Youth Music | 60,555 | 19,750 | 71,763 | 8,542 | ||||
105,606 | 79,313 | 121,408 | 54,969 | |||||
12 | Other information | |||||||
Northern Roots is a private company limited by guarantee without share capital and incorporated in England. Its registered office is: | ||||||||
Office 44 | ||||||||
63 High Bridge | ||||||||
Newcastle upon Tyne | ||||||||
Tyne and Wear | ||||||||
NE1 6BX |